Never underestimate the importance of what framing can do for a painting. I made a big mistake by getting a painting framed in the wrong frame and was so very disappointed with the result. This was partly my fault and the framers fault as we had both agreed to a frame but sadly the framer couldn’t get it and decided to put it in another frame.
Mr Cockerel in the original frame done by the framer.
He looks very small and insignificant in this frame – 30cm x 30cm oil on linen on board available at AlicesArtHouse on Etsy.com
Second frame I chose. Framed this way he looks far bigger and more important.
Framing can be very expensive which is always a little worrying when buying a painting, but I’ve come to realise that it can be worth the price. Framers can be great at picking various colours and styles for you to help you make the most of your paintings. Find a good framer and stick with them. I won’t be going back to my original framer.
Mrs Chicken – 30cm x 30cm oil on linen board – £100 available at AlicesArtHouse www.etsy.com
I’m so pleased to say that my work is on the wall in a cafe in Great Waltham in Essex called The Stores for the next 3 months! Its a rather lovely new cafe in the area which sells great coffee for somewhere out of London and some delicious homemade cakes as well as some fab paintings for sale. I’m really pleased to announce that this is on for a three month period. I have been working hard to produce work for it alongside some commissions and the plan is to change the work around each month so people don’t get too bored. Fingers crossed some of them will be sold anyway so it will be just a matter of replacing them.
It was quite hard to know what work to display in a cafe. Its difficult to judge the size or pricing of them. Some of the work there had clearly been done by hobby painters and so the price was mainly irrelevant and so they were charging a really low price. A particular artist displaying there sold loads of artwork as they were only £25 each! Sadly this puts me in a difficult position as I have become fully committed to making a living out of my work. I hope the general public find my prices reasonable. One of the hardest things I find is knowing where to price your work. It’s a fine balance between selling your work and getting what you want for it.
If you are someone who lives near Gt Waltham in Essex please do pop into the cafe to have a cup or tea or something. Tell me what you think of my work and pricing. Also a quick heads up, I will be exhibiting at the Stebbing Open Gardens this weekend in Essex too. Pop along if you are around.
My cats decided to send a quick message out to all of you this week. Happy Valentine’s Day to everyone and thanks for all your support. We love you guys.
I was asked to do a portrait of a good friend of mine, a portrait if him and his dog. I was very flattered that his partner asked me on the sly to paint this picture of him for his birthday/Christmas. Obviously as this was on the sly I painted it from a photograph. I was a little worried by the photo as it was a quick snap that someone took on their phone and so the detail and focus wasn’t as good as I would have liked. I had a go and kept with the same dulled down colour palette from the photo which I think worked. I also tried to keep the background in a slight blur so that you would concentrate on the portrait which I think worked too.
It’s always a little nerve racking doing a portrait of a friend as it means so much more to you as an artist to get it right, but at the same time at least you really know them so you can tell when you’ve got it right.
It was also the first time I’ve painted a dog, and again this dog means the world to my friend so again this has to be right – scary!
I tried hard. I hope they liked it!
This was another chance to do a charcoal portrait. I did this one at school where I had the opportunity to have a model sit for me for 3 hours. Sadly I didn’t have 3 hours as I was late! I gave myself the challenge of drawing from a donkey. This is a lower bench that you can sit on so that when drawing you can get very close up from underneath the model. This makes it quite a bit harder as the angle is very difficult. The usual way of mapping out a face completely changes here. The nose and eyes and mouth are much closer together and all the shapes change. Personally I really prefer portraits from this angle – there is something rather grand about the pose. It can be really hard to get this right. I wish I had another couple of hours on it. I love the mood of charcoal portraits.