Over the last couple of weeks I have had a couple of exhibitions which I have been rather worried about. It feels like a big step to go out there to sell your work when you are so unsure of it in the first place. It’s hard as an artist I think to really believe in your work. It’s hard to see the good things. Instead we see all the mistakes and where we could improve.
I have been totally shocked and astounded by the way my work has been received over the last couple of weeks. I have had so much positive feed back and people have been so kind. It’s been quite a learning curve. Somehow its still so hard to believe that people like your work and want to buy it. It’s an amazing boost and helps me to realise that despite all the mistakes I see, someone else likes and enjoys them. Some of these paintings have been around my house for quite a while – I’m so excited and pleased that they have been sold, but I will also miss them.
Thank you very much for your support.
Morning Light on a Felsted walk – 5″x 7″ oil on board
Framed (dark wood tray frame) – £100
I’ve been really busy this week finishing off work for an exhibition I have in Essex UK on the 24th November for a week. Its an exhibition of Essex landscapes of which I’ve painted 10. It’s been great working on these, I’ve really enjoyed it with the challenging light, colours and skies. All 10 paintings are tiny – the biggest being around A5 size. It’s been a learning curve as I’ve never painted landscapes before. I’ve taken it slowly and tried to concentrate on the good old formula of starting dark and then continuing into the lights. I also found out a good tip about giving the sky a wash of pink first which gives it more depth. It definitely works.
If you are around and you can make it to Essex, I would be delighted if you came to my exhibition. The details are below.
Clementines – linen on board 10″x6″ £60 unframed
It’s been a while since I posted a blog I realise. Life has been very busy with styling, people staying, my flatmate leaving and working towards an exhibition I have at the end of November. I’m still managing to paint most days which is good and here is an example of one of my paintings from the last week or so.
The studio has a very dark grey background. It’s painted that way so that you can easily see the intensity of colours and the warmth and coolness of what you are painting. After a while though it can get very boring to paint. For this subject matter it was perfect. The intense orange and warmth was very clear to see. The plate that they sat on was a little more complicated as it was a real mixture of warm and cold. Getting these right is really essential for creating the three dimensional feel of it. From this bowl you can see that the clementines were lit with a warm light from the left, but that there was a cool light (daylight) creeping in from the left. This is where the coolness of the grey background really helps you to distinguish this .
I’m very pleased to say that many of my pieces of work will be in Homes Garden (UK) January 2018 issue which will be out on the 30th November so please do keep an eye out for them leaning up in one the houses.
All my paintings are for sale. You can find them at AlicesArtHouse on Esty.com
This week has been a little difficult as Kea has been really unwell with a stomach bug. He has been off school all week poor thing feeling rotten. Luckily in-between looking after him I have had a chance to carrying on painting while he has watched films or slept.
I’ve been concentrating on a portrait I said I would do for someone. She is called Ruby. I had to do this portrait from a photo as I don’t actually know Ruby. I was given a selection of photos to do it from and the one I chose was this one.
I double checked with her mother if there were any of the photos she didn’t like so much or one that she preferred and she assured me that she liked all of them. I chose this particular pose because I felt out of all the photos this was where she looked the most natural. I got on with the job.
I finished most of it and decided to send a photo of what I had done so far to Ruby’s mother and sadly I got a response asking if I could paint the arm out. Sadly it isn’t quite as easy as ‘paint the arm out’ as this would totally change the lighting and shadows etc and it would mean making up half of her face which is never easy to do. I can understand what she means as I know she would like a clean portrait of her daughter, but then on the other hand I rather like the arm, giving it a much more relaxed feel. It is more unusual to have a portrait like this but I think it gives it something different, a contemporary felt . What do you think about it?
I can’t paint out the arm and will give her the painting tonight. I hear that Ruby likes it with the arm, I just hope her mother won’t be too disappointed.
It has been such beautiful weather here in the UK for the last week or two. My mother really kindly invited me for a couple of days away in Suffolk where we could get on with some painting. I haven’t really been able to use my new art box much yet as its been a busy summer with cousins. With my son away we had plenty of time to paint. It was the first time I had ever painted plein air so the whole experience was pretty scary to begin with. There was a lovely graveyard nearby which we painted first. The light was lovely on the gravestones creating lovely shadows.
The second day was spent painting a typical view of the fields in Suffolk with wonderful grass in the foreground, stubble fields with bales and lovely trees and hedges. I decided to use really small canvasses as I really like small paintings at the moment. They are easy to place on bookshelves and great to put together as a montage on a wall. I had never painted this small before and wanted to give it a go. I was quite pleased with the result in the end. I’m feeling thoroughly inspired now by the countryside and every time I get in the car I’m finding great locations. If only I had more time. The art box was a brilliant buy too. I’m thrilled with it.
My Backyard – oil on canvas board – 10’x12′ – £80
This week I have mainly been at home as poor Kea has been ill with tonsillitis. He has been feeling dreadful but is now on the mend. This has meant that I haven’t been out of the house.
I love the view from the back of my house from up in the loft and so I decided to have a go at painting it. Its the first time I’ve tried painting houses but I rather like the result. Its a little naive but I think it has some charm. I love the backs of the houses in London and all the different fun gardens you can look into. Luckily unlike most other houses in London my neighbours are quite far away. I love the colour of the bricks and the way the houses are higgledy piggledy. Its very easy to imagine Mary Poppins flying in for a cup of tea.