Exhibition Time!

Ploughed Field

Morning Light on a Felsted walk – 5″x 7″ oil on board
Framed (dark wood tray frame) –  £100

I’ve been really busy this week finishing off work for an exhibition I have in Essex UK on the 24th November for a week.  Its an exhibition of Essex landscapes of which I’ve painted 10.  It’s been great working on these, I’ve really enjoyed it with the challenging light, colours and skies.  All 10 paintings are tiny – the biggest being around A5 size. It’s been a learning curve as I’ve never painted landscapes before.  I’ve taken it slowly and tried to concentrate on the good old formula of starting dark and then continuing  into the lights.  I also found out a good tip about giving the sky a wash of pink first which gives it more depth.  It definitely works.

If you are around and you can make it to Essex, I would be delighted if you came to my exhibition.  The details are below.

Exhibition flyer

 

 

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Wonderful Singer Sargent

Sargent is a hero of mine.   I find his work inspirational, exciting and so beautiful.  Most of the work I have seen are of his oil paintings and its mainly his portraits that really float my boat.  However this last week I have been to see some of his watercolours at Dulwich Picture Gallery.

sergeant crocs web

Yet again I was blown away by his work.  He makes it all look so easy yet you know that if you have a go just how quickly you can muck it up.  His use of colour is incredible and the simplicity to the work was stunning, so effective.  His work really shows you how important it is to remember that everything is a shape and that nothing is a line.  His decision in what to define and what to loosen up is key to the work.  One can be so tempted to define everything as our eyes tend to want to do that.  This takes away the magic.  When you see his work it makes you realise how much of what you see isn’t in detail and that you don’t need to see everything in so much detail, it is not important.

Sergeant fountain web

His composition is also very interesting.  One has a habit of wanting to include everything but instead he chooses very small key areas of the subject which you can see here in the fountain that he did.  The whole fountain is not included but that doesn’t matter, the cherubs are the beautiful part of the fountain – the rest is not so important.  He also shows this with the background.  It can be very easy to get caught up on the background of something you are painting, thinking that it is good to record everything.  Here Sargent paints a really simple and washed out background because what he wants is for you to concentrate on the fountain.  Painting in a really detailed background would just distract you from the main reason for the painting.  This is what I really like about his portraits.  Sargent is so clever at putting detail into the most important part of the portraits – the face.  The rest of the portraits are so loosely done, with huge brush strokes giving the audience an impression. This really draws your eye into their faces just like you are really drawn into this fountain.

This exhibition is on at the Dulwich Picture Gallery.  If you are near, I think its a great exhibition and a must see!

Suffolk Landscapes

Suffolk gravestones webIt has been such beautiful weather here in the UK for the last week or two. My mother really kindly invited me for a couple of days away in Suffolk where we could get on with some painting.  I haven’t really been able to use my new art box much yet as its been a busy summer with cousins.  With my son away we had plenty of time to paint.  It was the first time I had ever painted plein air so the whole experience was pretty scary to begin with.  There was a lovely graveyard nearby which we painted first.  The light was lovely on the gravestones creating lovely shadows.

suffolk landscape web

The second day was spent painting a typical view of the fields in Suffolk with wonderful grass in the foreground, stubble fields with bales and lovely trees and hedges.  I decided to use really small canvasses as I really like small paintings at the moment.  They are easy to place on bookshelves and great to put together as a montage on a wall.  I had never painted this small before and wanted to give it a go.  I was quite pleased with the result in the end.  I’m feeling thoroughly inspired now by the countryside and every time I get in the car I’m finding great locations.  If only I had more time.  The art box was a brilliant buy too.  I’m thrilled with it.

Christmas has come early

wreath left web

This week Christmas has come early.  Its August and I have been continuing with my styling but this time on a Christmas theme.  Its often the hottest time of year that I do the Christmas shoots for magazines which always feels a little daft.  Yet again I was in a London house and this was the wreath that I did for the door.

The house was in some beautiful greys and so I wanted to compliment it using eucalyptus as the greenery with some classic roses and the soft pinks and greens of hydrangea.  I really enjoy unusual wreaths and often like the use of vegetables or fruit in them.  Artichoke can often be a good choice as the purple and the spikey leaves can compliment the softness of the flowers.  Also pomegranate is a good idea as they are very much a Christmas fruit with a really lovely red colour and wonderful shape.

whole wreath web

Be bold this Christmas and do something crazy.  Its a fun time of year so its nice to reflect this in your wreath.  Don’t be scared!

Look out for my styling and paintings in January’s issue of Homes and Garden (UK).

Calm Collective Bedroom

bedroom web

I have been sharing a room with my son for many years.  There just didn’t seem to be much space.  Thanks to a great bunk bed I have managed to move him out and so now have my own room – hooray!  Time to re-decorate….

Kea wouldn’t let me get rid of his megaladon (shark) which he painting above the radiator so I had to find something that would work with it. I really liked the idea of wallpaper for something a little different.  Once I had researched it all I was amazed at how expensive it was.  I really wanted a fresh new look to my room which was also calming.  I really liked the idea of mountains or a woodland scene and came to realise that I could easily paint one on my wall which would cost me next to nothing. People can be so scared of painting murals on walls but actually they are fun and can be easy to do as well as effective.  I just used left over paint that I used in other rooms ages ago and either added some more white or some more black.  I think the effect really works and I am chuffed with my new room which feels so calm.  I have a way to go with the rest of it now but it feels like I am breathing in much fresher air.

 

 

My Backyard

My backyard web

My Backyard – oil on canvas board – 10’x12′ – £80

This week I have mainly been at home as poor Kea has been ill with tonsillitis.  He has been feeling dreadful but is now on the mend.  This has meant that I haven’t been out of the house.

I love the view from the back of my house from up in the loft and so I decided to have a go at painting it.  Its the first time I’ve tried painting houses but I rather like the result.  Its a little naive but I think it has some charm.  I love the backs of the houses in London and all the different fun gardens you can look into. Luckily unlike most other houses in London my neighbours are quite far away.  I love the colour of the bricks and the way the houses are higgledy piggledy.  Its very easy to imagine Mary Poppins flying in for a cup of tea.